Christian Rex van Minnen’s work captures the moment where sense is suspended and repossessed by a synaesthesia that turns colour into sound; darkness into light; optics into haptics. Arrangement becomes estrangement as one notes the recognisable forms modified and mutated into a stunning spectacle of high surrealism. A gesture and act punches through the scaffold of structure and frees an id and idiom that allows both artist and viewer to play out their own paradox of psychedelic ecstasy.