The multidimensional, galactic yet nanoscopic marks of Jun Meyerson articulate the chaos and temporal, conceptual and painterly collisions at play in his work. A frequency of space is achieved through the artist’s constant interrogation of his given image – a sequence of infinite abbreviations then replications – whereby a single image can sustain yet kill itself like the ouroboros. This vibration – of sign and sight – might be born from a loaded discombobulation but it is one that seeks equilibrium. Meyerson’s universe speaks paradigmatically and paradoxically to the travails of his life, coloured by the rhythmic flux of circumstances and the collisions off which such kismet feeds.