Jameela Stenheden Gordon-King, A cigarette at dusk, 2025Oil and distemper on linen, 225 x 140 cm (88 5/8 x 55 1/8 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, A cigarette at dusk, 2025 (Detail), Oil and distemper on linen, 225 x 140 cm (88 5/8 x 55 1/8 in)
Photo: @showpickle
Scene XV: Antiphony, installation view, Matt Carey-Williams, London, UK
Photo: @showpickle
Jameela Stenheden Gordon-King, Ascension into something that sits above ears, 2025, Distemper and oil on canvas, 160 x 160 cm (63 x 63 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, Ascension into something that sits above ears, 2025 (Detail, Distemper and oil on canvas, 160 x 160 cm (63 x 63 in)
Photo: @showpickle
Scene XV: Antiphony, installation view, Matt Carey-Williams, London, UK
Photo: @showpickle
Jameela Stenheden Gordon-King, A note in red hangs above the rest, 2025, Oil and distemper on canvas, 100 x 200 cm (39 3/8 x 78 3/4 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, A note in red hangs above the rest, 2025 (Detail, Oil and distemper on canvas, 100 x 200 cm (39 3/8 x 78 3/4 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, Simmer, 2025, Distemper and oil on canvas, mounted onto linen, 100 x 140.5 cm (39 3/8 x 55 1/4 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, Simmer, 2025 (Detail), Distemper and oil on canvas, mounted onto linen, 100 x 140.5 cm (39 3/8 x 55 1/4 in)
Photo: @showpickle
Scene XV: Antiphony, installation view, Matt Carey-Williams, London, UK
Photo: @showpickle
Jameela Stenheden Gordon-King, Everything and a receipt, 2025, Oil and distemper on linen, 100 x 100 cm (39 3/8 x 39 3/8 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, Everything and a receipt, 2025 (Detail), Oil and distemper on linen, 100 x 100 cm (39 3/8 x 39 3/8 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, 9 different words spoken by Arnold, 2025, Distemper and oil on paper, 204 x 216 cm (80 1/4 x 85 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, 9 different words spoken by Arnold, 2025 (Detail), Distemper and oil on paper, 204 x 216 cm (80 1/4 x 85 in)
Photo: @showpickle
Scene XV: Antiphony, installation view, Matt Carey-Williams, London, UK
Photo: @showpickle
Jameela Stenheden Gordon-King, Turn me over, 2025, Distemper on linen, 30 x 30.5 cm (11 3/4 x 12 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, Turn me over, 2025 (Detail), Distemper on linen, 30 x 30.5 cm (11 3/4 x 12 in)
Photo: @showpickle
Scene XV: Antiphony, installation view, Matt Carey-Williams, London, UK
Photo: @showpickle
Jameela Stenheden Gordon-King, Playing on a keyboard stained with blackberries, 2025, Distemper on wooden board, piano key, 30 x 21 cm (11 3/4 x 8 1/4 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, Playing on a keyboard stained with blackberries, 2025 (Detail, Distemper on wooden board, piano key, 30 x 21 cm (11 3/4 x 8 1/4 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, Do you know the Place? I circle through, 2025-26, Oil on linen, 30 x 20 cm (11 3/4 x 7 7/8 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, Do you know the Place? I circle through, 2025-26 (Detail), Oil on linen, 30 x 20 cm (11 3/4 x 7 7/8 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, I don't read music, but this is probably in c minor, 2025, Distemper and oil on lubugo bark, 24 x 19 cm (9 1/2 x 7 1/2 in)
Photo: @showpickle
Jameela Stenheden Gordon-King, I don't read music, but this is probably in c minor, 2025 (Detail), Distemper and oil on lubugo bark, 24 x 19 cm (9 1/2 x 7 1/2 in)
Photo: @showpickle
Harry Whitelock, Fixed Interest, 2025, Oil, acrylic, bleach and dye on cotton canvas, used dust sheet and reused tent canvas,200 x 170 cm (78 3/4 x 66 7/8 in)
Photo: @showpickle
Harry Whitelock, Fixed Interest, 2025 (Detail), Oil, acrylic, bleach and dye on cotton canvas, used dust sheet and reused tent canvas,200 x 170 cm (78 3/4 x 66 7/8 in)
Photo: @showpickle
Scene XV: Antiphony, installation view, Matt Carey-Williams, London, UK
Photo: @showpickle
Harry Whitelock, Fixed Garden, 2025, Oil, acrylic, biro pen, marker pen and dye on cotton canvas and reused tent canvas, 190 x 150 cm (74 3/4 x 59 in)
Photo: @showpickle
Harry Whitelock, Fixed Garden, 2025 (Detai, Oil, acrylic, biro pen, marker pen and dye on cotton canvas and reused tent canvas, 190 x 150 cm (74 3/4 x 59 in)
Photo: @showpickle
Harry Whitelock, Fixed Memory, 2025, Oil, biro pen and charcoal on cotton canvas and reused tent canvas, 155 x 120 cm (61 x 47 1/4 in)
Photo: @showpickle
Harry Whitelock, Fixed Memory, 2025 (Detail), Oil, biro pen and charcoal on cotton canvas and reused tent canvas, 155 x 120 cm (61 x 47 1/4 in)
Photo: @showpickle
Scene XV: Antiphony, installation view, Matt Carey-Williams, London, UK
Photo: @showpickle
Harry Whitelock, Fixed Skin, 2025, Oil, acrylic and dye on cotton canvas, used dust sheet and reused tent canvas, 140 x 100 cm (55 1/8 x 39 3/8 in)
Photo: @showpickle
Harry Whitelock, Fixed Skin, 2025 (Detail), Oil, acrylic and dye on cotton canvas, used dust sheet and reused tent canvas, 140 x 100 cm (55 1/8 x 39 3/8 in)
Photo: @showpickle
Harry Whitelock, Fixed House, 2025, Oil, acrylic and charcoal dye on cotton canvas and reused tent canvas, 84 x 120 cm (33 1/8 x 47 1/4 in)
Photo: @showpickle
Harry Whitelock, Fixed House, 2025 (Detail), Oil, acrylic and charcoal dye on cotton canvas and reused tent canvas, 84 x 120 cm (33 1/8 x 47 1/4 in)
Photo: @showpickle
Harry Whitelock, Fixed Stitch, 2025, Oil, acrylic, dye on cotton canvas and reused tent canvas, 50 x 40 cm (19 3/4 x 15 3/4 in)
Photo: @showpickle
Harry Whitelock, Fixed Stitch, 2025 (Detail), Oil, acrylic, dye on cotton canvas and reused tent canvas, 50 x 40 cm (19 3/4 x 15 3/4 in)
Photo: @showpickle
Harry Whitelock, Fixed Spill, 2025, Oil on cotton canvas and reused tent canvas, 35 x 40 cm (13 3/4 x 15 3/4 in)
Photo: @showpickle
Harry Whitelock, Fixed Spill, 2025 (Detail), Oil on cotton canvas and reused tent canvas, 35 x 40 cm (13 3/4 x 15 3/4 in)
Photo: @showpickle
Scene XV: Antiphony, installation view, Matt Carey-Williams, London, UK
Photo: @showpickle
Harry Whitelock, Fixed Body, 2025, Oil, biro pen, charcoal, marker pen, bleach and paper on cotton canvas and reused tent canvas, 41 x 31 cm (16 1/8 x 12 1/4 in)
Photo: @showpickle
Harry Whitelock, Fixed Body, 2025 (Detail), Oil, biro pen, charcoal, marker pen, bleach and paper on cotton canvas and reused tent canvas, 41 x 31 cm (16 1/8 x 12 1/4 in)
Photo: @showpickle
Harry Whitelock, Fixed Present, 2025, Oil, biro pen and charcoal on cotton canvas and reused tent canvas, 31 x 41 cm (12 1/4 x 16 1/8 in)
Photo: @showpickle
Harry Whitelock, Fixed Present, 2025 (Detail), Oil, biro pen and charcoal on cotton canvas and reused tent canvas, 31 x 41 cm (12 1/4 x 16 1/8 in)
Photo: @showpickle
Harry Whitelock, Fixed Move, 2025-26, Oil, acrylic, used sweater, reused cotton tent canvas, dye, biro and pastel on cotton canvas, 23 x 36 cm (9 x 14 1/8 in)
Photo: @showpickle
Harry Whitelock, Fixed Move, 2025-26 (Detail), Oil, acrylic, used sweater, reused cotton tent canvas, dye, biro and pastel on cotton canvas, 23 x 36 cm (9 x 14 1/8 in)
Photo: @showpickle
Jameela Stenheden Gordon-King and Harry Whitelock's works converge through a shared exploration of interior states and the way music shapes the subconscious. Having shared a studio for two years during their MA at the Slade School of Fine Art, their practices intertwine echoes of memory and personal narrative. In their forthcoming duo exhibition, both artists' distinct visual languages enter into dialogue through layered surfaces and thoughtful compositions, offering a richly textured encounter between two evolving voices.
JAMEELA STENHEDEN GORDON-KING
Jameela Stenheden Gordon-King (b.1998, Lewes, UK) graduated with an MA in Painting from Slade School of Fine Art, London, UK (2025) having previously completed the BA in Fine Art at Glasgow School of Art (2022). Stenheden Gordon-King's work has been shown in solo and group exhibitions across the UK and Europe. She was awarded the Sarabande Foundation Emerging Artists Fund, the Richard Ford Award (2025) and the Mary Rischqitz Prize (2025).
HARRY WHITELOCK
Harry Whitelock (b.1996, Hull, UK) graduated with an MA in Painting from Slade School of Fine Art, London, UK (202S) having previously completed The Drawing Year at The Royal Drawing School, London, UK (2019) and a BA in Illustration at Edinburgh College of Art, Edinburgh, UK (2018). Whitleock's work has been shown in solo and group exhibitions across the UK. He was awarded the Jack Goldhill Drawing Prize, and selected as an exhibiting artist for the John Moores Painting Prize (2019), and completed residencies at the Borgo Pignano Artist Residency Programme, Tuscany, Italy (2018 and 2022/2024) and the Dumfries House Residency, Cumnock, UK (2023).